Equity Video games Recommended Rate Card

AAA (Triple-A): Games that are created and released typically by mid-size or major publishers; usually anything that cannot be classified as “indie.”

Atmospheric voices: No more than 300 scripted/recorded lines that do not further the story (also known as ‘World Building Voices’).

DLC (Downloadable Content): Additional digital content or expansions that can be downloaded and added to a video game after its initial release.

Ensemble Record: A group of principal performers (usually up to 4 people) working together in a voiceover studio.

Headcam (also referred to as HMC's - head mounted cameras): Headgear used in voiceover and performance capture, to capture the facial movements of the performer. This allows developers to create more lifelike and emotionally expressive characters.

Indie game / independent video game: Loosely defined as a game made by a single person or a small studio without any financial, development, marketing, or distribution support from a large publisher, though there are exceptions.

Integration: The process of incorporating artificial intelligence systems and algorithms into a video game. A pre-purchase / integration fee should be paid when a developer, studio or publisher wishes to hold performance data in their ‘library’ for potential re-use on future projects. If an integration fee is not paid upfront at point of contracting, then the performance may only be used within the project(s) specified in the contract.

Likeness: The visual representation of an actor in a video game, achieved through scanning, modeling and motion capture.

Motion Capture: This term covers body capture only. The recording of physicality by a professional performer. The performance is recorded as data which is then processed to create an altered and/or enhanced image of human or non-human forms.

Performance Capture: This term covers the recording of physicality (as above) as well as voice and facial performances using a head-mounted camera (HMC). The facial performance is for animation reference and guidance only and this does not include performer likeness.

Sequels: Sequels in games are follow-up titles or subsequent entries in a game series or franchise. They continue the story, gameplay mechanics and overall theme and/or setting of the original game. Sequels build on the success of the original game and are an essential part of franchise branding.

Usage Buyout: A compensation agreement between the performer and the game development studio or publisher. This agreement stipulates that the performer will receive a one-time payment for their work in the game, and in exchange, they relinquish any ongoing or residual rights to additional compensation, such as royalties or usage fees, for the use of their voice or likeness in the game.

*Equity does not endorse the practice of universal buyouts of original material. We acknowledge that this is the established model in the videogames industry. However, this practice does not align with the work of performers in other industries nor does it respect the long-term contribution of performers. Going forward, we would like to work constructively with the industry to establish a framework for where performers benefit financially in the success of a game/franchise.*

Voice and Facial Capture: The recording of a vocal performance in a voice studio or performance capture volume, plus capture of the facial performance using a head-mounted camera (HMC). No body performance captured.

Walla: Unscripted voices not assigned to a specific character, that do not further the story (also known as ‘World Building Voices’).

£300 per hour (minimum) is reflective of the current, global, agreed rates for voice work. We believe it is a fair rate given the demands and intensity of voice performance in video games. 

The rates are structured very differently.

All SAG-AFTRA sessions are booked in blocks of 4 hours, no matter the amount of lines (vocally strenuous sessions are max 2 hours, paid for 4 hours).


The SAG-AFTRA payment for a 4-hour block is $1023.75 (£800.19) - known as ‘Scale’. That’s equivalent to £200 per hour in a 4-hour session.


Most well-known/seasoned games performers receive 2x, 3x , etc. of scale. Celebrities can name their price.

Agents in the USA usually take a 10% commission on top of the scale fee agreed with the performer.

SAG-AFTRA Principal roles also have an Aggregate Payments schedule that increases with the amount of hours in the booth. This is a bonus payment, not usage, and leads to principal performers adding around $1000 to their fee by their 5th session and $2100 by their 10th.

In addition to this, SAG-AFTRA demands a 16.5% Health/Retirement contribution on top of the accrued fee.

Head-mounted cameras (HMC) are used to capture facial movements during performance to aid animation. They can be uncomfortable, as well as tiring for the eyes. Working with this additional equipment allows developers to create more lifelike and emotionally expressive characters, and should carry a premium.

Atmospheric and Walla sessions are part of the world-building of a game, giving actors the opportunity to work for several hours on giving voice to non-playable characters (NPC) and crowds/creatures. It is also one of the segments of our industry most threatened by AI.

It can take up to 2 hours for performers to be put into a suit, fitted with a headcam and calibrated to a motion capture system, before shooting can begin. Once this time is factored in, along with the time required to get out of the suit etc at the end of shooting, and travel, performers are then engaged for a large portion of the day and unable to book other work.

Overtime accrues a fee as it can have an impact on many factors including other engagements or travel for a performer. By charging a fee every 30 minutes, studios, performers and agents are able to keep a tab on the additional time and keep it to a minimum where possible.

Some studios used to have a habit of scheduling performers for overtime on a regular basis, whether or not that extra time was actually required. This practice made it challenging for performers to effectively plan their day.

For any work up to and including 4 hours, a buyout usage fee of 200% of the Basic Session Fee (BSF).

Beyond the initial 4 hours, the performer receives an additional buyout equivalent of a minimum 25% of BSF. This equates to an additional £75 per hour for a minimum voiceover rate. 

Example calculations for usage based on the minimum voiceover session fee of £300.

For hours 1 to 4, the buyout is 200% of the session fee.

For hours beyond 4, the additional buyout is 25% of the session fee per hour worked beyond 4 hours.

In the UK in the mid-1990s, the agreed buyout for performers was set at £500 if they recorded 50 lines or more. However, despite the significant evolution of the performer's role in video games over the past three decades, the buyout has not kept pace with these changes and has even decreased in some cases.

Their sessions fees are much higher than those in the UK and many well-known games performers earn 2x, 3x or more of the published session rate (Scale), because it is negotiable.

SAG-AFTRA Principal roles also have an Aggregate Payments schedule that increases with the amount of hours in the booth. This is a bonus payment, not usage, and leads to principal performers adding around $1000 to their fee by their 5th session and $2100 by their 10th.

Integration is when the data for that likeness/performance is held in a library for use in other projects by the developer, studio or publisher. 

AI is one of the biggest threats to Performers today. We must ensure that a Performer has the ability to protect their image, voice and performance. If you want to purchase the likeness of a Performer, we must have clarity in what it will be used for.

DLCs (Downloadable content) provide developers and studios with a cost-effective method to introduce additional content after the initial game release, allowing them to maintain premium pricing. Typically, DLCs are created for games that have achieved significant sales success, and as such, performers should receive fair compensation for their contributions.

Sequels often build on the success of the original game. Many times the characters that are brought back contributed to that success. Is the role larger in this game? Does the character have a fan following? Negotiation is needed. 

Material recorded in a session can be used by the client but anything recorded for trailers, conventions, expos, etc. are deemed as promotion and advertising and therefore charged separately.

The rates set by SAG-AFTRA for promotion are higher than the rates set by Equity.

Limiting vocally stressful game recording sessions to 2 hours safeguards a Performer's health, maintains performance quality, and ensures long-term vocal well-being by preventing strain and potential injuries, while also optimizing efficiency and recovery between sessions.

Scheduling these sessions at the end of the day minimizes disruptions to other work, and end-of-week sessions allow performers to recover fully over the weekend.

SAG-AFTRA caps vocally strenuous sessions at 2 hours, paid for 4 hours.